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The Netflix documentary “Will and Harper” wrestles with trans identity in Trump’s America

About an hour into the new Netflix documentary Will and Harper, Hollywood actor and comedian Will Ferrell and his close friend Harper Steele take stock of the cross-country trip the two took. Steele, a former “Saturday Night Live” writer, reads a handful of hateful comments people posted on social media after a series of public appearances by the two.

They exchange a look, and Ferrell says he didn’t think much about the fact that his usual humorous antics would expose his transgender friend to a difficult public atmosphere. It’s the most powerful scene in a solid film that documents what it’s like to be a trans-American in close proximity to a celebrity. As Steele notes near the end of the film, not many trans people have a legendary funnyman like Ferrell to help protect them from direct harassment.

As Steele notes near the end of the film, not many trans people have a legendary funnyman like Ferrell to help protect them from direct harassment.

The film’s focus is Steele’s identity as a trans woman who came out during the pandemic lockdowns and as someone who has enjoyed traveling across the United States in the past, sometimes questionably, while most people watch the film maybe see him as a Will Ferrell. “Trans 101” learning experience in which he gets to ask his trans girlfriend the usual nosy questions about her identity, to me the film is more about Steele relearning to exist as a trans woman in some of her favorite places, by using her Celebrity Boyfriend as a kind of soft landing on the way to that goal.

Before her transition, Steele loved to stop at random bars in the deep red areas of the country, sometimes even hitchhiking from place to place. But after her transition, she was afraid to return to those places and stayed closer to the safety of her home just outside New York City.

This is a real problem for many trans women, myself included. Although I came out half a decade before the pandemic, I haven’t had much desire to go out since the Corona era. While I used to travel around the States frequently, I now prefer to stay home as the country descends further into Republican-driven anti-trans hatred.

I imagine Steele’s story will be relatable to many trans women. But interestingly, her actual interactions with people in public in the documentary don’t match the many online hateful comments or danger messages we so often read.

In one scene, Steele decides to go alone to a bar somewhere in deep red rural America while Ferrell waits in the car. As she enters, the camera catches glimpses of some of the bar’s patrons, a Confederate flag and a pile of Trump paraphernalia on the walls. Eventually, Steele plucks up the courage to strike up a conversation with another bargoer nearby, and it goes well. Only after joining a group at the bar does she call over Ferrell, who has obviously caught the attention of everyone present.

The conversation was genuine and full of personal curiosity and had nothing to do with her trans identity. In another scene shortly afterwards, Steele and Ferrell drive to a stock car race on a dirt track in Oklahoma. There, Steele mentioned to a few guys in the stands that she used to go to races like this all the time before she transitioned, but since then she hasn’t been sure how people would react.

Personal contact and connection have always been the best weapon for LGBTQ acceptance in the United States, and transgender issues are no different.

The men she speaks to, who are looking for white men from rural America straight from central casting, encourage her to come back. “Have no fear. If you want to come out, come out,” says one, implying that they are all just racers.

In another scene earlier in the film, Steele and Ferrell meet at an Indiana Pacers basketball game and take photos with Indiana Governor Eric Holcomb, a Republican. The two then discuss how Holcomb signed a law banning gender-affirming care of transgender minors and talk about how they wish they had thought about it right away so they could have questioned the governor on the issue.

Overall, “Will and Harper” tells an interesting story about how America is grappling with the issue of trans rights. In personal conversation, Steele’s trans identity doesn’t seem to be a problem. The film captures real relationships with strangers, while all the hate and vitriol is reserved for the keyboard warriors who never bother to interact with Steele in person, only seeing them from afar at the Pacers game or in a Have seen a steakhouse in Texas.

Personal contact and connection have always been the best weapon for LGBTQ acceptance in the United States, and transgender issues are no different. While the documentary tells a touching story about a friendship that undergoes major change, for me it is also a story about America going through its own transition: the search for a suitable partner for transsexuals in red state America. If only every trans American could have a celebrity like Will Ferrell around them for safety.

By Jasper

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